GATE 4 / DOOR 2 OPEN. SECTION 6 · ROW P · AISLE LWR logged and seated.

OPENING SEQUENCE: "IN MY MIND" (Gigi D'Agostino cover).

STAGING NOTE: two drum kits, opposing ends.

SCREEN OUTPUT: headline fragments, unresolved. Subjects tracked: Gaza, war profiteering, algorithmic control, wealth flow to Zug. No single frame holds long enough to cite.

AGENCY MARKERS DETECTED: ICE, IDF, CIA, run together without pause for distinction. Elsewhere, unrelated: "CRYOGENIC SUSPENSION PREPARATION ROOM, SILICON VALLEY." No caption offered for either.

FRASER — "Black Milk." Anomaly — grid softens on contact. Unable to log cause.

Off the record: the catalogue doesn't need the wall to work. Twenty-five years on, "Angel" still empties a room of everything except the low end. The screens aren't compensating for the songs — they're arguing with them, and most nights the songs win.

Statement projected, unprompted. Band self-reports detainment, Singapore, 29.07.26. Passports held.

"FREE PALESTINE," unscheduled. Same chant logged in Singapore, prior to detainment.

ANDY — "Girl I Love You," later "Angel." Seventy-five years logged. Voice unaffected by any of it.

Off the record: this is the tension nobody's reviewing honestly. The screens are arguing with the songs all night, and by "Unfinished Sympathy" — Miller, not Fraser, worth getting right — you're not sure which one you came for. That's not a flaw. It's the closest thing the show has to a thesis.

CLOSING SEQUENCE: "IN MY MIND" (reprise) into "TEARDROP." Screens dark for the last one. First unmonitored moment of the night.

SESSION CLOSED. Final Australian date. Audience dispersed. Data retained.

Final word, unlogged: worth sitting through the fog for. Worth the readout too. Most nights you don't get both.